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17-May-2017 01:18

This shift in rock music (grafted onto the historical synthesis of the bard, the punk and the sound sculptor) coincided with the boom of "free jazz".Rock'n'roll had been born at the confluence of blues and country music, but after 1966 blues and country/folk became mere ingredients (two among many) of a much more complex recipe.

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The most visible difference (besides the race of the musicians) was the lead role of the electric guitar.In 1965 San Francisco, whose scene had largely languished in the years of surf music and of the Greenwich Movement, suddenly became one of the most ebullient cities in the nation.The poets of the "Beat generation" moved here; the "Diggers" turned the Haight Ashbury district into a "living theater".Most likely, it was a mere coincidence: drugs just happened to represent the unifying call to arms for that generation. Drugs were conveniently available and stood for the opposite of what the hated Establishment stood for (war, bourgeois life, discipline, greed, organized religion, old-fashioned moral values).If one had to pinpoint an event that concretized this historical synthesis, it would have been in may 1966, when Dylan's Blonde on Blonde came out, a double album (already a significant departure from the old format) that had ironically been recorded in Nashville (between october 1965 and march 1966).

The most visible difference (besides the race of the musicians) was the lead role of the electric guitar.In 1965 San Francisco, whose scene had largely languished in the years of surf music and of the Greenwich Movement, suddenly became one of the most ebullient cities in the nation.The poets of the "Beat generation" moved here; the "Diggers" turned the Haight Ashbury district into a "living theater".Most likely, it was a mere coincidence: drugs just happened to represent the unifying call to arms for that generation. Drugs were conveniently available and stood for the opposite of what the hated Establishment stood for (war, bourgeois life, discipline, greed, organized religion, old-fashioned moral values).If one had to pinpoint an event that concretized this historical synthesis, it would have been in may 1966, when Dylan's Blonde on Blonde came out, a double album (already a significant departure from the old format) that had ironically been recorded in Nashville (between october 1965 and march 1966).Between 19 rock music took three decisive breaks from the original nature of rock'n'roll: Bob Dylan introduced an explicit socio-political message; British bands such as the Rolling Stones and the Who (the heirs to the "juvenile delinquent" image of the 1950s) indulged in instrumental and vocal mayhem; the Beach Boys, the Beatles and the Byrds focused on studio techniques and eccentric arrangements.